I wanted to share my take on two books I recently finished. Enjoy it!
Hyperion
I think I’m one of the few people that didn’t like the Hyperion books at all, and I promise you, I had high expectations.
I can recognize that they are very well crafted, with a huge amount of information and worldbuilding inside them, they just weren’t interesting to me.
I’m talking specifically about Hyperion and The Fall of Hyperion.
The main issues I had were:
- the use of random words and unexplained concepts,
- the constant recalling of Old Earth culture,
- and the fact that people accept almost paranormal things as if they were completely normal.
Together, these things made the books really hard for me to accept as a whole, and because of that I never found them particularly engaging.
There’s also the fact that the narrator is omniscient, so you constantly get hints that things will happen before they actually do. Considering the structure of the books, I didn’t love that either.
Random words
The first issue is that there are lots of random words scattered everywhere. The worldbuilding feels futuristic, but in a way that often felt more akin to medieval fantasy than science fiction to me.
“Things exist because they exist.” The books assume acceptance instead of building understanding.
And all the books are permeated by this feeling. It constantly pulled me out of the experience because instead of thinking “this could exist in the future,” I often felt “this is just fantasy with futuristic decoration.”
Earth Nostalgia
The second issue was the constant references to Old Earth.
You’re living hundreds of years after Earth has been destroyed, humanity has spread across worlds, civilizations evolved, and yet people are still deeply attached to Earth culture in a way that felt strange to me.
Foods, songs, poets, literature, historical references, everything keeps coming back to Earth.
It also felt odd that everyone seemed to know these references in detail, as if deep historical knowledge was universally shared (I know little about some parts of recent history, let alone some more old stuff).
It would be like everyone alive today casually understanding medieval history, poetry, and culture at a deep level.
So even though the books describe this incredible futuristic civilization, culturally it often felt strangely frozen in the past.
A constructed pilgrimage
The whole idea of these seven people going on a pilgrimage together felt strange from the beginning.
Even though the story eventually explains why it’s happening, it still felt like an constructed idea created to tell stories rather than something that emerged naturally from the world itself.
It’s supernatural and that’s ok
The last part is that there are many things in these books that feel almost paranormal, and people simply accept them as normal.
People speaking through dreams. Mysterious forces that are barely explained.
And that’s fine in itself, lots of books do that, but here it kept happening over and over without enough grounding for me.
Characters rarely stop to question things in a way that felt believable. They just move one step in front of the other and continue.
Paul Duré
The only story I truly appreciated was the one about Paul Duré.
That one was genuinely fascinating to me. It had mystery, horror, philosophical depth, and emotional weight in a way that the rest of the book never fully reached for me.
But beyond that, I struggled to connect with the characters or their motivations. Often it felt like people were just moving through the plot because the story needed them to.
Cities of the Plain
On the other hand, Cities of the Plain by Cormac McCarthy was absolutely beautiful.
I think I still liked the first two books in The Border Trilogy a little bit morel All the Pretty Horses and The Crossing, because they have that expansiveness of people riding horses for days across immense landscapes.
You really perceive the scale and loneliness of the journey.
That feeling is a little more reduced in Cities of the Plain because there’s much more human interaction compared to the first two books.
But it’s also beautiful in a different way because you finally get to see the two main characters from the previous novels connect together.
And it’s still heartbreaking. Completely heartbreaking on many levels.
The final dream
The thing I liked the most was probably the ending.
There’s a dream sequence near the end that genuinely feels like a real dream. Not a literary dream, but the kind of mysterious, fragmented, impossible-to-understand dream you occasionally have in real life.
It has all the strange symbolism, hidden meanings, and emotional logic that dreams carry.
You feel like there’s meaning inside it, but you can’t completely grasp it and it was incredibly fascinating to read.
If you haven’t read them, I highly recommend the first two books of The Border Trilogy.
I think they are fantastic modern westerns and genuinely beautiful to read.
The pacing and writing style are unlike almost anything else, so you need to accept the rhythm McCarthy writes with. But once you’re deep into it, the experience becomes incredibly powerful.